 |
Map of the Acropolis of Athens
in Socrates and Plato's time
|
 |
|
Credits : this map has been adapted from the map on p. 12 of "L'Acropole, Nouveau guide des monuments et du musée", by Dr G. Papathanassopoulos, Éd. KRÉNÉ, Athens, 1991.
- Aglaureion
- This sanctuary, built in a crack of the cliff on the northern side of the
Acropolis, was dedicated to Aglaurus, one of the daughters of Cecrops,
the first king of Athens (see Herodotus'
Histories,
VIII, 53). It is there that the Athenian ephebes used to take the pledge
of allegiance to their homeland, invoking in it Aglaurus, along with Ares
and other local and more "universal" divinities.
- Altar of Athena
- This was a very ancient altar to Athena and Erechtheus,
that was used by the various temples that replaced one another on the Acropolis.
- Chalcothece
- This building, whose name means in Greek "case for bronze (chalcos) vessels", was used as a store-house for bronze artifacts offered to Athena.
- Eleusinion
- This location, at the foot of the Acropolis below the Propyla, was the probable location of the sanctuary of Demeter, the Goddess whose mysteries were celebrated at Eleusis.
It was the starting point of the official precession taking place during the celebration of the Great Mysteries and leading to the Telesterion in Eleusis via the "Sacred Way".
- Erechtheion
- This temple was built to replace the older temple of Athena and was also
dedicated to (and named after) Erechtheus,
one of the legendary kings of Athens, later divinized and sometimes identified
to Poseidon himself. Its construction started during the peace of Nicias (421-415
B. C.), was interrupted by the resumption of the war and was not completed
until 406. At that time, it took over the role
of the older temple of Athena as temple dedicated to Athena Polias. The temple
was said to be built at the location where Poseidon, in his contest with Athena
for the dominion over Attica, in the time of king Cecrops,
had struck the rock to make sea water flow and Athena had grown an olive-tree
to win the contest (see Herodotus' Histories,
VIII, 55).
- Odeum of Pericles
- See commentary on the map of Athens intra-muros
for more on the Odeum of Pericles.
- Older temple of Athena
- This is the location where several temples to Athena Polias (protector
of the city) were successively built, taking advantage of the leveling of
the ground that had been done earlier for a Mycenæan palace. The last
of these temples dated back from the VIth century B. C., in the time of the
Pisistratidæ and had probably been built toward 525 B. C. The temple
hosted a wooden statue (xoanon) of Athena that was said to have fallen
from the sky. The temple and the statue were destroyed and burned down by
the Persians in 480 B. C. After the Medean wars,
the temple was partly restored and stayed in use till 406,
at which date the xoanon of Athena that had replaced the one burned
by the Persians was moved into the Erechteion, now completed.
- Panathenaic Way
- See commentary on the map of Athens intra-muros
for more on the Panathenaic Way.
- Pandroseion
- This sanctuary was dedicated to Pandrosus, one of the daughters of Cecrops,
the first king of Athens . It seems that mystery cults were associated with
her name.
- Parthenon
- The temple of Athena, the Virgin ("parthenos" in Greek) Goddess,
protector of Athens, at the top of the Acropolis. Its construction, on the
site of two earlier temples to Athena Parthenos, the second of which
was yet unfinished when it was destroyed by the Persians in 480
B. C., was ordered by Pericles and took 10
years, from 447 to 438
B. C., date of its inauguration during the Panathenæa of that year,
but the decoration was not completed until 432.
The architects who built it were Ictinus and Callicrates, working under the
leadership of Phidias, a friend and art councelor of Pericles, who sculpted
the chryselephantine (meaning "plated with gold ("chrusos" in Greek)
and ivory ("elephas, elephantos" in Greek)") statue of Athena that
was inside the temple (Thucydides tells us
in his Histories,
II, 13, 5, that forty talents of pure gold had been used for the plating
of the statue, and could be removed in case of financial need).
- Peripatos
- This Greek word meaning "walk around" was the name of the walkway circling the foot of the Acropolis.
- Propyla
- The Greek word propulaia means "entrance", or, more specifically,
"what stands before the doors (pro-pulai)". The propyla of the Acropolis
were built by Pericles as part of his plans to enhance the site and constituted
the doorway to the flat top of the sacred rock. Construction started in 437
B. C. and was paid for with the money from the tribute levied on "allies"
of the Delian League (see Thucydides'
Histories,
II, 13, 3). It lasted until 432, but it is
possible that the project was never completed because of the Peloponnesian
war that broke out soon after.
- Sanctuary of Asclepius
- This set of buildings, also called Asclepieion, were built close to a spring
after the cult of Asclepius, the son of Apollo and god of medicine, had been
introduced in Athens in 420 B. C. (Asclepius
is the god to whom, according to Plato (Phædo,
118a), Socrates, in his last words before drinking the hemlock, asks Crito
to sacrifice a cock.)
- Sanctuary of Artemis Braurônia
- Braurôn was a location, east of Athens, where the cult of Artemis
was celebrated around a statue of the goddess which was said to be the one
brought back from Tauris by Orestes and Iphigenia
(see Herodotus,
VI, 138). Artemis, though often associated with virginity, was celebrated
there as the protector of women about to give birth. In the time of Pisistratus,
her cult was moved to Athens and this sanctuary built for her.
- Sanctuary of Pandion
- This sanctuary was dedicated to king Pandion,
the father of Erechtheus, or to his
great-grandson, aslo named Pandion,
who was the grandson of Erechtheus
and the father of Ægeus (himself father of Theseus).
- Sanctuary of Zeus Polieus
- This sanctuary was dedicated to Zeus as protector of the polis (the city), hence the name "polieus".
- Statue of Athena Promachos
- This gigantic statue (7m high on top of a 2m base) that could be seen from
the sea by travellers doubling Cape Sunium, was
one of the first works of the great sculptor Phidias. It was erected as a
tribute to Athena, the goddess who had "fought for (pro-machos in Greek)"
Athens, after the naval victory of Eurymedon
over the Persian fleet in 466 B. C. and paid
for with the spoils from that victory. It was one of the most famous statues
of antiquity.
- Temenos and theater of Dionysus Eleuthereus
- See commentary on the map of Athens intra-muros
for more on the Temenos (Greek of "sacred grounds") and theater of Dionysus
Eleuthereus.
- Temple of Athena Nike
- The construction of that small temple dedicated to Athena as provider of
victory (nikè in Greek) was planed in the time of Pericles,
and its plans probably drawn by Callicrates, the architect of the Parthenon,
but, for lack of money and because of the war, it was not undertaken until
427, that is, two years after Pericles' death,
and it was not completed until much later, toward 410.
- Tripod Road
- This street leading from the agora to the theater
of Dionysus by the eastern side of the Acropolis, owed its name to the fact
that monuments and tripods erected in memory of their victories at the theater
by wealthy citizens selected as choirmasters (chorègoi) were
lining up on its sides. It was one of the busiest streets of ancient Athens.
Plato and his dialogues : Home
- Biography - Works and
links to them - History
of interpretation - New hypotheses - Map
of dialogues : table version or non
tabular version. Tools : Index of persons and
locations - Detailed and synoptic
chronologies - Maps of Ancient Greek World. Site
information : About the author.
First published December 13, 1998 - Last updated
December 30, 1998
© 1998 Bernard
SUZANNE (click on name to send your comments via
e-mail)
Quotations from theses pages are authorized provided
they mention the author's name and source of quotation (including date
of last update). Copies of these pages must not alter the text and must
leave this copyright mention visible in full.